Music & Dances of Rajasthan
Some of the Better Known Forms of Entertainment
are:
Ghoomar Dance: This is basically a community dance for women and performed
on. auspicious occasions. Derived from the word ghoomna, piroutte, this is a
very simple dance where the ladies move gently, gracefully in circles.
Gait Ghoomar: This is one of the many dance-forms of the Bhil tribals.
Performed during Holi festival, this is among a few performances where both
men and women dance together.
Gait: Another Holi dance but performed only by men. This becomes Dandia
Gair in Jodhpur and Geendad in Shekhawati.
Chart Dance: This is popular in the Kisherigarh region and involves dancing
with a chari, or pot, on ones head. A lighted lamp is then placed on the
pot.
Kachhi Ghodi: This is a dance performed on dummy horses. Men in elaborate
costumes ride the equally well decorated dummy horses. Holding naked swords,
these dancers move rhythmically to the beating of drums and fifes. A singer
narrates the exploits of the Bavaria bandits of Shekhawati.
Fire Dance: The Jasnathis of Bikaner and Chum are renowned for their
tantric powers and this dance is in keeping with their lifestyle. A large ground
is prepared with live wood and charcoal where the Jasnathi men and boys jump
on to the fire to the accompaniment of drum beats. The music gradually rises
in

tempo and reaches a crescendo, the dancers seem to be in a trance like state.
Drum Dance: This is a professional dance-form from Jalore. Five men with huge
drums round their necks,some with huge cymbals accompany a dancer who holds
a naked sword in his mouth and performs vigorously by twirling three painted
sticks.
Teerah Taali: The Kamad community of Pokhran and Deedwana perform this
dance in honour of theft deity, Baba Ramdeo. A rather unusual performance where
the men play a four-stringed instrument called a chau-tara and the women sit
with dozens of manjeeras, or cymbals, tied on all over their bodies and strike
them with the ones they hold in their hands. Sometimes, the women also hold
a sword between their teeth or place pots with lighted lamps on their heads.
Kathputli: Puppet plays based on popular legends are performed by skilled
puppeteers. Displaying his skill in making the puppets act and dance,
the puppeteer is accompanied by a woman, usually his wife, who plays the dholak,
or drum and sings the ballad.
Pabuji Ki Phach: A 14th century folk hero, Pabuji is revered by the Bhopa
community. The phad, or scroll, which is about 10 metres long, highlights the
life and heroic deed of Pabuji. The Bhopas are invited by villagers to perform
in their areas during times of

sickness and misfortune. The ballad is sung by the Bhopa as he plays the Ravan-hattha
and he is joined by his wife who holds a lamp and illuminates the relevant portions
at appropriate points.
Maand: Rajasthans most sophisticated style of folk music and has
come a long way from the time it was only sung in royal courts, in praise of
the Rajput rulers.
Professional singers still sing the haunting ballads of Moomal Mahendra, Dhola-Maru
and other legendary lovers and heroes.
List of singers and performers also includes the Mirasis and Jogis of Mewat,
Manganiyars and Langas, Kanjars, Banjaras and Dholies. Performances like the
Kuchamani Khayal, Maach, Tamasha, Rammat, Nautanki and Raasleela are no less
popular. The musical instruments of Rajasthan are simple but quite unusual.
Handcrafted by the musicians themselves they are rather unique and include instruments
like the Morchang, Naad, Sarangi, Kamayacha, Rawanhattha, Algoza, Khartal, Poongi,
Bankia and Da There are dozens of other instruments which are exclusive to Rajasthan
only.
It is a rather difficult task to list all the different types of music, dance
and entertainment that can be found in Rajasthan. The range is mindboggling.
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